Rebel Without a Cause and The Catcher in the Rye

Teen angst, the transitional stage between childishness and adulthood, is a very favorite subject in galore(postnominal) mediums of modern sport. A fewer of the first times we truism teen angst in entertainment were in the book catcher in the Rye and the pictorial matter Rebel Without a Cause. Jim destitute from the 1950s film Rebel without a Cause, and Holden Caulfield, from the 1950s novel The Catcher in the Rye, and are some(prenominal) the juvenile main characters in both of the stories. Holden and Jim can relate as they both have hassle with transitioning from childhood innocence to adulthood, besides how they both deal with their lawfulness is the key that makes their stories different.\nAs Jim serious and Holden Caulfields stories lead them on two separate journeys, in that location integrity becomes an underlying promoter to how they act. It have the appearance _or_ semblances to matter to both characters that they come up to be a levelheaded person and al so to unfold up their thoughts of staying innocent by acting grown up. For example, in the beginning of the movie when Jim talks to the sheriff, the sheriff immediately reads him that he had a good come on in the wrong delegation by beating a kid up. Jim defends himself by sexual intercourse the sheriff that the kid called him a chicken. Jim feels that he need to be hardened and act grown up. Jim felt the same as Holden did when he punched Stradlater after he insulted the paper he wrote for him to the highest degree his dead younger brothers baseball game glove. Jim and Hold both seem to have similar conflicts in their lives regarding the lack of a single-valued function model figure. Both of the characters try on to honor answers to their problems by ask adults. For example, in one all important(predicate) scene Jim yells at his pa to try to get him tell him what to do, but he gets nought out of him. Jims father is non the role model Jim needs or wants, and he has no one else to guide him. As both characters make their mode through each of the plots, they find themselves in bigger problems and without answers.\nIntegrit...